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May 14, 2026
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From “Waka Waka” to “Dai Dai”: Shakira Returns to World Cup Glory

FIFA and Global Citizen announced on May 14 that K pop supergroup BTS, Rock & Roll Hall of Famer Madonna, and Colombian superstar Shakira will headline the first ever halftime show at a FIFA World Cup final, breaking nearly a century of tradition when the tournament concludes on July 19 at MetLife Stadium in New Jersey. The Super Bowl style spectacle, produced by Global Citizen with assistance from Coldplay’s Chris Martin, will raise funds for the FIFA Global Citizen Education Fund to improve access to quality education and soccer for children worldwide. The announcement video featured Martin alongside Sesame Street characters Elmo, Kermit, Miss Piggy, and Cookie Monster, who joked that BTS’s hit “Butter” was both his favorite song and cookie ingredient.

The lineup brings together three of the world’s biggest acts at pivotal career moments. BTS, whose members RM, Jin, SUGA, J hope, Jimin, V, and Jung Kook recently completed South Korea’s mandatory military service, released their fifth studio album “ARIRANG” on March 20, which debuted at number one on the Billboard 200, and are currently on a world tour with US stops scheduled for August and September. Madonna, who performed with Sabrina Carpenter at Coachella in April, will release “Confessions II” on July 3, just weeks before the final. Shakira, the best selling female Latin artist of all time and no stranger to World Cup anthems after “Waka Waka” in 2010, dropped “Dai Dai”, the official 2026 World Cup song featuring Nigerian artist Burna Boy, on the same day as the halftime announcement.

The final show represents FIFA’s most aggressive attempt to merge sports and entertainment commerce, following the successful 2025 Club World Cup final halftime show at the same stadium featuring J. Balvin, Doja Cat, and Tems. The tournament’s opening ceremonies across three host nations will feature similarly star studded lineups: Maná, J Balvin, and Tyla in Mexico City on June 11, Katy Perry, Future, and Blackpink’s LISA in Los Angeles on June 12, and Michael Bublé, Alanis Morissette, and Alessia Cara in Toronto the same day. The production signals how major sporting events have become platforms for geopolitical soft power projection, South Korean cultural influence through BTS, Latin American identity through Shakira, and American pop dominance through Madonna, while the charitable framing attempts to offset criticism of FIFA’s commercialization. Whether the historic halftime show will be remembered as a cultural milestone or merely an expensive distraction from the tournament’s athletic competition depends on whether the performances can transcend their promotional purpose when the world watches on July 19.

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